Last Post

November 2nd, 2009 No comments »

128941717876322716Unfortunately, since I’ve gotten a huge influx of work lately, this will have to be my last post on WriterWriting. I’m not sure yet if they’ll be replacing me or not, hopefully they will.

So, where can you find me now?

1. Freelance Writerville: My home sweet home.

2. Freelance Writerville II: The networking community for Freelance Writerville.

3. All Freelance Writing: I am handling some job postings for the next couple of weeks, but look for my Friday feature beginning on November 13th. I haven’t decided what it will be called yet, but it will deal with the stage between being a new freelance writer and being a not-so-new freelancer.

4. The Freelance-Zone: I have a weekly Freelancers and Money series over at The Freelance Zone.

Blog-O-Sphere

November 1st, 2009 No comments »

book_shelf_shelves_268208_lThere are a ton of useful blogs out there–and you’d be surprised how hard it is to weed through them all to find the really valuable ones. Here is a list of some of the most valuable I enjoy–I’ve left out the many blogs that I write for so that you can enjoy an unbiased list.

1. The Anti 9-to-5 Guide: While she doesn’t update often, freelance writer Michelle Goodman has stuffed this blog full of awesome information.

2. About Freelance Writing: Anne Wayman is a freelance writing veteran with an impressive resume and a professional style that many other bloggers could benefit from.

3. Freelance Switch: Freelance Switch is written by freelancers from all walks of life. Instead of just devoting itself to freelance writing–Freelance Switch is dedicated to all freelancers.

4. Writers Weekly: While not technically a blog, Writers Weekl’s ezine has many great articles written in a more journalistic style and has a great section called Whispers and Warnings that helps warn freelancers about potential scammers and helps resolve payment disputes. They even have a jobs section.

You’ve Found Your Specialty E-Book Excerpt: Content Mills

October 28th, 2009 2 comments »

This week, I thought I’d give you all an exclusive glimpse inside my e-book, You’ve Found Your Specialty–Now What? Tips and Tricks to Finding and Scoring Clients and Making a Living Writing What You Know. These excerpts aren’t being posted anywhere but on WriterWriting.com. I can’t give you the entire book, but a few excerpts won’t hurt anyone…right?

From Chapter 2: Content Mills

It is NOT necessary to begin your career at content sites like DemandStudios.com and Textbroker.com but if you are more comfortable working with them before you get private clients, that is understandable. In order to become a writer for a content mill, you will need to put together a resume highlighting your writing experience.

Don’t be afraid to talk about that training manual you wrote for work, or that PowerPoint presentation you created for your boss. If you weren’t hired solely as a writer, you might not look at your prior writing as actual writing experience, but it is.

Make sure you choose articles that are within your specialty, since that is the purpose of learning how to write for your specialty by using  a content mill. You will have editors reviewing your work instead of going straight to the end user. This offers an experience in learning to bring your writing up to the next level. Additionally, you can still learn terminology, web writing methods, tricks and industry demand while writing for content mills.

I strongly urge you to look at content mills only as a brief stepping stone on the way toward building your client list. Content mills do not pay enough to be worthy of long-term hard work. You can do much better on your own, especially when following the tips in this book. The work you do for content mills can be used as clips–but many editors frown on them since they understand that the editorial standards are relatively low.

Profile

You might not want your future reputation tied to your work efforts of today, so it’s not a bad idea to write under a pen name. Keep your profile professional and streamlined and remember that anyone who Googles you (or your pen name) will be able to read it. Your pen name does not need to be a made-up name, it can simply be your first initial and last name.

Freelance Writing Book Exerpts

October 26th, 2009 No comments »

book coverThis week, I thought I’d give you all an exclusive glimpse inside my e-book, You’ve Found Your Specialty–Now What? Tips and Tricks to Finding and Scoring Clients and Making a Living Writing What You Know. These excerpts aren’t being posted anywhere but on WriterWriting.com. I can’t give you the entire book, but a few excerpts won’t hurt anyone…right?

From the Introduction: Top 5 Reasons to Choose a Specialty

1. MORE MONEY. There are a finite number of things that I know a lot about and an infinite number of things I know nothing about. Who in the world is going to pay me a premium rate to write about the things I know nothing about? On the other hand, with a decade of financial industry experience and all the appropriate licenses, I can command very high wages writing within my specialty.
2. FINDING CLIENTS. How in the heck can I find clients when they could be hiding everywhere? I don’t want to shove my business card in everyone’s face and cross my fingers that they need a writer. I want to know where my clients are and what they need in a writer. With a specialty, I can do that. I can also save money on marketing because my efforts are intensely focused.
3. VISIBILITY. I am highly visible in my field. Many insurance agents know me because of my speaking engagements throughout the years—and if they don’t know me, chances are we know someone in common. This makes me more visible and validates my knowledge. In addition, as I gained clients, they began to refer me to others within the industry. From there my business snowballed.
4. INSTANT TRUST. As I was saying in point 3, when I am able to discuss topics using industry jargon and discuss high profile people within the industry that I know (or even just know of), my potential client immediately begins to trust me—which is a must when you are charging specialty rates.
5. WRITING IS EASIER. I may want to write about wedding planning, but I know way more about insurance and finance. The articles flow better and are easier to write when you are intimately familiar with the subject matter. Additionally,
you can write on a much deeper level because you understand the ins and outs of your area of expertise.

Freelance Writing and Voice: Part 4–Working Your Voice

October 22nd, 2009 1 comment »

bullhorn-triptych-2770930-lOnce you’ve found your voice, you may discover that it’s actually not appropriate for the type of writing you do. Maybe you have a very sarcastic voice, a silly voice, an annoyed voice–or some other voice not necessarily conducive to everyday writing. But, if you leave out that voice you lose that spark in your writing–so what’s a writer to do?

The first option is to find a niche in which your voice works. Copywriting is an especially flexible niche that allows for many types of writing with many different types of voices. Sometimes, the more casual or feisty, the better.

If that is not an option, then the real key is just to soften anything inappropriate about your voice while still leaving a hint of it in your work. Think about giving a speech in front of a room full of CEOs. You would want the speech to be funny, to be interesting, to be informative–and not to offend anyone or seem less authoritative because of your personality.

1. Talk to your client. Try to get a sense of who their target reader is and use that to get an idea of how much of your voice the target reader will accept. Since you are representing your client, let them know your thoughts and how you want to approach the style.

2. Keep your facts solid in your article and do not allow your voice to make them seem inaccurate.

3. Pepper a bit of your voice (or personality) in the piece in a way that doesn’t distract but instead, enhances.

4. Send the rough draft to your client to get their opinion and possible edits.

Remember, if you are ghostwriting, you should be using your client’s voice in place of your own.

Freelance Writing and Voice: Part 2–Developing Your Voice

October 21st, 2009 No comments »

teem_bullhorn_jegg_843696_lOnce you have found your voice, it’s time to develop it.

1. Look at the exercise you did yesterday and find those little quirks that truly define your voice.

2. Write down what they are–are they sarcastic and biting comments? Humorous asides? Fun meandering? Angry and uncompromising confidence? What?

3. Rewrite the original piece you wrote yesterday so that you insert an appropriate amount of that voice. Pretend you are doing this for a client so make it appropriate for the type of work you do.

4. Now, rewrite one of the pieces you recorded (which should be much heavier on voice) and soften your voice–again to make it appropriate for your clients.

5. Now reread everything. Do you still notice the voice in both of the pieces, but maybe at a more reasonable rate? Or, is your voice still lost or undefined?

6. If your voice is still lost or is undefined amongst a bunch of different voice directions, you can continue to edit your work by sticking to one type of voice and stringing it throughout the piece.

If the above process doesn’t quite work for you, another suggestion is to create a blog in which you just write. No grammar, no worries about punctuation, just give your voice another way to get out–and grow.

Here are some additional resources for finding and developing a voice:

5 Tips for Developing Your Writing Voice

10 Steps to Finding Your Writing Voice

Freelance Writing and Voice: Part 2–Finding Your Voice

October 20th, 2009 1 comment »

barcamp-mediamatic-factoryjoe-2322731-lWhen we talk about a voice in freelance writing, what are we talking about? After all, freelance writing isn’t like fiction writing. There aren’t different characters with different expressions and accents. Instead, freelance writing is generally educational writing about stuff that requires no personality, right?

Wrong.

Your voice as a writer is what separates you from every other writer on the planet. The way you use words, punctuation, sentences…it all equals your voice and it can be compelling or boring, happy or sad, angry or excited.

Here’s an easy exercise to find your voice. Take a subject that you know very well and write a 300 word article about it. Then, take a tape recorder and talk about the subject. Don’t read your article out loud, just pretend you are talking to a friend about it and record it. Then, talk about something that makes you angry, excited, sad, happy or confused about it. Type up the two different recordings and, when you are doing so, use punctuation to control how the article is read–put commas in where you paused, ellipses in where you hmm’s and hesitated–emphasis dashes in where you interjected. Don’t worry about rules, just convey your voice.  Now compare your two voices with the original article.

Which one is most interesting to read? Which one is most dynamic? Which of them have more style and which would you (as a buyer) pay more for?

I’ll leave you with a couple of videos about finding your voice.

Freelance Writing and Voice: Part 1

October 19th, 2009 No comments »

bullhorn-triptych-2770930-lI don’t dispense much technical advice about writing because…technically…I’m not any kind of expert. I know enough to get by and enough to edit my own work for my clients, but I’m not an authority and would not try to position myself as one.

I do, however, like to think of myself as an authority when it comes to finding and using your voice. Your voice is the most important part of your writing. I don’t give a rat’s ass if you know what a gerund is and you never have a dangling participle–if you haven’t found, developed and learned how to use your voice you are going to have a much harder time being a highly-paid freelance writer.

Of course, having a voice also means you must learn how to use it in different types of writing. For instance, rat’s ass is one of the phrases my voice likes to use often. Um…but I can’t use that in client work…although I can still find a way to bring out the same sentiment.

I’ve got some great tutorials and videos for you guys this week. Tomorrow we are going to talk about how to find your voice, Wednesday we will discuss how to develop your voice, and Thursday we’ll cover how to work that voice in to different types of writing.

Focus on Clients: Raising Existing Client’s Rates

October 15th, 2009 No comments »

office_meeting_conference_237469_lThe need to raise rates can happen for many reasons. Two of the most popular are:

1. After you have worked with a client on a few projects, you may find that you underestimated the amount of time their projects would take and you need to raise their rates.

2. You’ve worked with a client for so long that your standard rates have changed significantly since you quoted them and now you want to bring their rates up to your new average.

No matter why you want to raise rates on an existing client, there are many things you must consider first…then there are a few steps you can take to make it easier.

Considerations

1. Are you willing to lose the client? Some clients may not agree to your rate hike and may, instead, decide to find a new writer. You must be prepared to lose them.

2. Is your work worthy of a higher rate? Just because you charge a higher rate to new clients or your existing client’s work takes too long, doesn’t mean you deserve a higher rate. Try to look at your work compared to other freelancers in the price range you want to be in. Is your work worth it?

3. Is there any way you can reduce the workload to make the current rates worth it? This is kind of a backward way of raising rates, but sometimes clients respond more favorably to you reducing services rather than raising rates.

Rate Raising Steps

1. Make an appointment to call the client to discuss it over the phone if at all possible. You want to soften the blow and open the discussion, and email isn’t always a good platform for that.

2. Make sure the client knows that you enjoy working on his or her projects. This helps to avoid your client thinking that you are raising rates as a way to get out of working for them.

3. Explain the reasoning behind the rate raising. If you are making $5 an hour because of the amount of work you must do for the client, let them know (unless this is because you are not working efficiently–the client should not be punished for that). Also, if all your other clients are paying significantly more, let them know that your rates have raised that significantly since you started working with them. Honesty is a good thing.

4. Give the client a choice. Let them choose between higher rates or reduced services.

Focus on Clients: Keeping an Ongoing Relationship

October 14th, 2009 2 comments »

office_realestate_officespace_1071583_lIt’s one thing to get a client, but it’s even more important to keep the client and become their go-to writer. There are a few really easy ways to do this:

1. Don’t treat the relationship as a one-time transaction. Show the client you are interested and invested in their project by going out of your way to create superior content with interesting twists they might not have expected.

2. Be easy to work with. Don’t be a prima donna, difficult, late, or undependable. Be someone who makes the whole process–from initial conversation to billing–effortless.

3. Include free future edits as part of your service. You know how things change and how Google likes updated content, so offer to update their content at no charge in the future. This will make you more appealing for work and, if it doesn’t result in any extra work now, you can email them in a year to remind them of your free edit and they just might have another project.

4. Offer a newsletter sign up. Many freelance writers have clients sign up for a quarterly newsletter. Not only does that establish you as an authority, but it also reminds them of your presence.

5. Email them when you have an opening in your schedule. We all have down time here and there. Why not shoot your old clients an email when you have an opening in your schedule?